AIMAC 2015

Aix-en-Provence
Marseille

June 26th > July 1st

registration aimac
registration aimac

© Copyright photographies : Didier Doustin
Conception, design : piquetdesign.com
Développement : win-win.com

List of papers accepted

List of papers that would be presented at the AIMAC General Conference

List uploaded on May 29th

If your paper does not appear, you have to register and pay your fees.

If you registered or paid after May 29th, this list will be updated.

 

TRACK - CONSUMER BEHAVIOR

L’art, la publicité et les enfants: l’impact de la familiarité sur l’accroissement du désir et du goût de consommer des produits

Kafia Ayadi, Virginie De Barnier

 

Quality and demand for theatre performances

Trine Bille, Johan Bernhard, Christie Berle, Dorte Skot-Hansen

 

The Relationship Between Expectations, Pre-performance Engagement, and Performance Experience

Rune Bjerke, Rosemary Polegato           

 

Enriching the museum experience of the blind and visually impaired

Design recommendations for an audio guide   

Caroline Bonn, Dagmar Abfalter, Peter J. Mirski

 

Le « transmédia » au service de la médiation dans le domaine des arts et de la culture

Dominique Bourgeon-Renault, Elodie Jarrier, Christine Petr 

                 

Claque and Cabale in Contemporary Arts Performances: An Artist brand Phenomenon              

Antonella Carù, Bernard Cova, Andrea Rurale                 

                 

The cultural and inborn origins of valuing art:

Exploring relations between aesthetic preferences and paintings' valuations.                

Eric Casenave, Ziad Malas, Céline Neuveux     

 

Le sens que donnent les parents et grands-parents à la transmission culturelle

André Courchesne, Jonathan Deschênes          

 

Conducting qualitative research to analyse people's perception of music services

Manuel Cuadrado, María José Miquel, Juan D. Montoro

 

Selling the invisible to create an authentic experience: Imagination at work in Cézanne’s studio

Maud Derbaix, Anne Gombault

 

Cultural mediation devices’ gamification : what perception and impact on visitors’ satisfaction ? The Corderie Royale case. 

Florence Euzéby, Juliette Passebois Ducros,  Sarah Machat,  Jeanne Lallement

 

Looking good and looking smart     

Olivier Gergaud, Victor Ginsburgh, Florine Livat

 

Opera in the Cinema:  Commoditization of traditional opera in an emerging society

Philip Grant, Jaime Alberto Ruiz-Gutiérrez       

 

Brazilian cultural consumer behaviour

Gisele Jordão                    

 

Attitude toward a retro-marketing product : a case from the graveyard              

François Marticotte

 

Performance’s choice on line. Is the venue important for young people?

Carole Martinez, Florence Euzéby, Jeanne Lallement

 

'Know thyself' in arts consumption: A case for the use of autoethnography in arts research

Marta Massi, Paul Harrison

 

“Democratization or vulgarization of cultural capital? 

The acceptance of facebook’s use by theater audiences”           

Carmela Milano

 

Les collectionneurs d’art contemporain : des collectionneurs pas comme les autres?

Nathalie Moureau, Dominique Sagot-Duvauroux,  Marion Vidal

 

Nurturing positive word of mouth for the arts

Steve Oakes, Helen Oakes

 

Vers un modèle conceptuel des facteurs explicatifs de la participation et de la réussite d’une opération de crowdfunding dans le secteur culturel non marchand  

Juliette Passebois Ducros, Mathilde Pulh

 

Festivals audiovisuels : Une offre réservée à une élite ou adaptée aux attentes de la population locale ?
Le cas de la ville de La Rochelle

Stéphanie Peltier

 

The effect of greed and internalized luxury on the intention to purchase iconic artworks

Giovanni Pino, Carla Tomacelli, Gianlugi Guido

 

Data mining and learning of audiences:  The Art Fair of Bogotá (ARTBO)

Jaime Alberto Ruiz-Gutiérrez, Mauricio Ruiz Valdivieso, Philip Grant, Manuela Mesa

 

Etude de l’impact des écrans tactiles sur les visiteurs des musées

Charlotte Steiner, François Courvoisier

 

Revisiting novel-reading practices at the era of digitamorphosis:

exploring changes in readers’ motivations

Mourad Touzani, Ghofrane Ghariani

 

Artscape: conceptualization and dimensionality

Berta Tubillejas, Andrés Amparo, Cervera Taulet, Haydee Calderón García

 

 

TRACK – CULTURAL POLICIES

 

Tourisme et langues régionales : une ressource stratégique gaspillée pour l'attractivité du territoire?

Jean-Yves Agard

 

Entrepreneurial Education for culture & arts management programs : an experiment.

Valérie Ballereau, Christine Sinapi, Olivier Toutain, Edwin Juno-Delgado

 

The new middlemen of the digital age: the case of cinema

Pierre-Jean Benghozi, Elisa Salvador, Jean-Paul Simon

 

The digital publishers’ agenda: a matter of book content?

Pierre-Jean Benghozi, Elisa Salvador

  

Civic engagement or philanthropic support:
exploring the determinants and role of Friends of Museums organizations in Italy

Enrico Bertacchini, Vittorio Falletti

  

Culture, Business and the Nation State:

The Evolution of Cultural Management Practices on the Creative Ecology 

Suzanne Burke

 

Synthetic index for the evaluation of infrastructure for cultural enjoyment in the city of Rio de Janeiro

Daniele Cristina Dantas, Julia Celia Mercedes Strauch

 

Context and human capacities in cultural entrepreneurship:

Assessing the productive inclusion in Cartagena de Indias, Colombia

Aaron Espinosa, Elisabetta Lazzaro, Jorge Alvis, Gina Ruz

 

The Roots of Great Innovation:

Entrepreneurial Climate and the Sustainability of Arts and Culture Organizations

B. Kathleen Gallagher

 

The cultural value of event-led city regeneration.

30 years of the European Capital of Culture Programme

Beatriz Garcia

 

Opera in a Global World:

Internationalization Practices in the Beijing National Centre for the Performing Arts

Silvia  Giordano, Yesim Tonga Uriarte

 

Social participation issues in becoming a creative city:  learning from European Capitals of Culture

Anne Gombault

 

A cross-cultural comparison of the precarious situation of creative workers:

Australia, Canada and the Netherlands

Sophie Hennekam

 

Building local capacity in the arts

Leila Jancovich

 

The renegades of the publicly funded cultural centers :

A study on independent cultural centers in Finland

Tomas Järvinen

 

‘The Problem with Permanence is that you’re Stuck It’:
Managing the public arts centre building in the twenty-first century

Katya Johanson, Hilary Glow

 

Enjeux de démocratisation et démocratie culturelles :

Analyses des différentes temporalités d'un projet de circuit court culture

Anne-France Kogan, Alice Anberrée, Danielle Bouder-Paille

 

Measuring Social and Economic Impact of Large Scale Cultural Events: Social Network Analysis

Anda Lake, Baiba Tjarve, Līga Grīnberga

 

Measuring the economic relevance of the cultural and creative sector: An application to Belgium

Elisabetta Lazzaro, Jean-Gilles Lowies

 

The Evolution of ‘Creative Economy’ Research

Luciana Lazzeretti, Francesco Capone, Niccolò Innocenti

 

Income standards in the Netherlands and Flanders:

A close-up of an indicator of the financial performance of non-profit organizations in the arts

Ellen Loots

 

La gestion publique du théâtre en Belgique francophone :

Controverses autour du modèle décisionnel de pluralisme.

Jean-Gilles Lowies

 

Cultural Diplomacy and ‘Soft Power’: An Arts Management Perspective

Melissa Nisbett

 

Diversity and Governance in Arts and Cultural Organizations

Francie Ostrower

 

La régénération de la ville à travers la culture vs. l’ombre de la ‘Gentrification’:

Jusqu’où irait-il son rôle de la culture? Le cas d’Ihwa-dong à Séoul

Shin-Eui Park, Heiwon Won

 

Education for cultural heritage preservation in Brazil: challenges and new standards

Karla Penna, Silvana Campelo

 

Can subjective well-being be managed through cultural policy? Notes on the case of Mexico.

Gonzalo Soltero

 

The Role of Cultural Activities in Community Development: Case study of Riga neighbourhoods

Baiba Tjarve, Ieva Zemite

 

Shedding Some Light-Museums Are Cultivating New Values in Dark Tourism

Shin-Chieh Tzeng , Feng-Ying Ken

 

Creative innovation: Conceptualising innovation for the creative industries

Yosha Wijngaarden, Erik Hitters, Pawan Bhansing

 

The Development of the Framework for Cultural and Creative Industries statistics in the EU

Lin Yung-Neng

 

Reaching the Agreement between Arts and Management?
The Case of Budgeting in Performing Arts Organizations

Pascale Amans, Agnès Mazars-Chapelon, Fabienne Villesèque-Dubus

 

 

 

TRACK - FINANCIAL MANAGEMENT, GOVERNANCE AND CONTROL

 

Understanding artistic performance in its context:

A case study of the practice of evaluation in a publicly funded opera company

Francesco Chiaravalloti

  

The Double Issue of Quality in the Performing Arts

Thomas Heskia

  

Assessing Organizational Financial Health of Nonprofit Arts Organizations: 

The Case of the Symphony Orchestra Sector

Theresa A. Kirchner, Edward P. Markowski, John B. Ford

 

Structures of start-ups financing in the Creative Industries

Elmar D. Konrad, Christian Fronz

 

The Vasudhaiva Kutumbakam Art Project: linking arts and communities in India

Olga Lucia Patiño, Ravi Ranjan, Ajitvar Kumar

 

Deaccessioning in the European Union:  Between the subsidiarity and inalienability principles

Marilena Vecco, Michele Piazzai

 

Condition and efficiency of Slovenian Organisations in the field of culture:
a data-envelopment-analysis approach

Andrej Srakar, Anela Bešo

 

 

TRACK - ORGANIZATIONAL BEHAVIOR AND HUMAN RESOURCE

 

Theatre Reform in Lithuania: is Actor’s Contract to be ‘Carved in Stone’?
Irena Alperyte

 

L’expert au prisme de la gestion des ressources humaines. Reconnaître et gérer l’expertise dans une institution culturelle
Nicolas Aubouin, Emmanuel Coblence, Cédric Dalmasso, Frédéric Kletz

 

Mutualisation et coopération : œuvrer autrement dans la culture ?

Dominique Billier, Carole Le Rendu-Lizée, Catherine Morel, Sandrine Stervinou

 

What makes a cultural / social Entrepreneur? Impetus and influences in youth
Gesa Birnkraut, Carl Justus Escher

 

From quality to utility: an empirical study of artist reputation’s impact on contemporary art market price
Simeng Chang

 

On the Necessity For Foxes: The Changed Knowledge Requirements for Arts Leadership
Patrice Cooper, Sebastian Green

 

Crowdsourcing créatif : vers une approche communautaire ?
Olivier Dupouët, Claude Guittard, Eric Schenk, Isabelle Tricot-Chamard

 

Ensemble processes in arts:
What organisational processes constitute ensembles in music, theatre and visual arts?

Helena Gaunt, Daniel Treacy, Patrick Furu

 

Is Your Workplace Socially Empowered?
Engagement and Attraction through the Arts, Social Enterprise, and Social Empowerment
Brittany Harker Martin, Ann  Calvert

 

Managing a New Generation of Employees:
What Organizations in the Visual Arts need to know about the Millennials
Andrea Hausmann

 

Towards a community identity:
Negotiating the boundaries of collaboration in the Helsinki Music Centre,
Tanja Johansson, Annukka Jyrämä

 

Art encountering society; identifying the skills
Annukka Jyrämä, Anne Äyväri

  

Professional Bodies as leaders and entrepreneurs:
a study of coproduction in the museum and gallery sector.
Anne Kershaw, Kerrie Bridson

 

Formes de succession aux postes de direction artistique dans les organisations culturelles*

Pascale Landry

 

Beyond impact. Social media analytics in festival studies
Lorenzo Mizzau, Fabrizio Montanari, Massimiliano Nuccio

 

Do Birds of a Feather Really Flock Together?
Role and Representativeness of Professional Associations on the Art Market

Nathalie Moureau, Marion Vidal

 

Studying Arts Management: Key Managerial Functions and Interdisciplinarity

Eleonora Redaelli, Jonathan Paquette

 

Situated dynamics in a role transition:
Becoming an artistic director in an established non-profit performing arts organization
Wendy Reid

 

Does Cultural Diversity support (Cultural) Entrepreneurship?
Marilena Vecco, Heritiana Ranaivoson

 

What you do is what you get: Individual motives and performance-based pay in the cultural industries
Pier Vittorio Mannucci, Severino Salvemini

TRACK – STRATEGIC MANAGEMENT

 

Strategizing Cultural Clusters: Implementing Socio-political Aims or Closing Windows of Opportunity?

Dagmar Abfalter, Martin Piber

  

How the Financial Crisis Affected Models of Public-Private Partnership in the Cultural Sector: Empirical Evidence from France, Germany and Italy

Francesco Badia, Elena Borin, Fabio Donato

  

Cultural entrepreneurship in mature and less mature institutional fields:

Do musicians and music groups benefit from ambidexterity?

Saulo D. Barbosa, Danilo C. Dantas, Giovany C. Santana

 

How well is the museum performing? A joint use of data envelopment analysis (DEA) and balanced scorecard (BSC) to measure the performance of museums

Antonella Basso, Francesco Casarin, Stefania Funari

 

Theatre Quality Frame – A System of Business Processes and Performance Monitoring for Theatres

Diana Betzler, Sabrina Kabitz, Daniel Eiche, Silvia Lorenz, Marc Baumann

 

Proposition d’un outil de mesure de la valeur partenariale appliqué à la médiation culturelle :

Le cas de la coursive Boutaric

Guillaume Biot-Paquerot, Edwin Juno-Delgado, Frederic Ménard

 

Communication Inside & Outside the Organization:

A Strategic Guide for Fundraisers in the Arts

Dottie Bris-Bois

  

Balancing exploitation and exploration in Flemish Cultural centers:

An in-depth comparative case-study 

Nele Cannaerts, Jesse Segers , Erik Henderickx

 

Vers un design de recherche pour appréhender les innovations managériales dans le secteur du spectacle vivant

Jacques Chabrillat, Marc Lecoutre, Pascal Lièvre

 

Developing a Framework for Business Model Generation for the Arts

WoongJo Chang, Javier J. Hernández-Acosta

 

The End of Fine Arts? A Model of Diversification Strategies in Arts Museums

Emmanuel Coblence, François Normandin, Serge Poisson-de Haro

 

Means and Ends: A Theory Framework for Understanding Entrepreneurship

in the US Arts and Culture Sector

Linda Essig

 

(Mental) Model Behaviour: Cognitive Biases and Decision-Making in the Entertainment Industries

Angus Finney, Allegre L. Hadida

 

Democratizing the Directorate: The Collaborative Curatorial Model

Gordon Fitzell

 

Measuring Cultural Quality: A Big Data Approach

Abigail Gilmore, Franziska Florack, Kostas Arvanitis

 

Live Opera vs Live in HD Opera: Collaborators, Competitors or both?

Philip Grant, Jaime Alberto Ruiz-Gutiérrez

  

Do the stars still shine on Broadway? An Investigation of the Rosen Star hypothesis using a pseudo-natural experiment from Broadway shows.

Shu Han, S. Abraham Ravid

  

Culture-based products: integrating commercial and cultural strategy.
The case of the perfumery industry.

Chiara Isadora Artico, Michele Tamma

  

Managing Societal Impact in Context of Changed Legal Status of Public Cultural Organizations

Kaari Kiitsak-Prikk

 

“Crowdfunding for the arts: the new frontier of patronage?”

Angelo Miglietta, Elena Lombardo

 

Model of Strategic Entrepreneurship: new concept for Cultural Management

Maria Inês Pinho

 

1001Libraires.com, une stratégie de coopération ratée entre libraires français.

Comprendre l'échec grâce au business model

Carole Poirel

 

I am made, crudely, for success. Applying and Enforcing a New Organizational Form

in the Public Museum Field

Irene Popoli

 

Authenticité des artistes-entrepreneurs : de la révélation à la construction de soi-même

Silvia Ranfagni, Joëlle Lagier, François H. Courvoisier

 

Strategic Renewal, Experimentation and Innovation in Israeli Dance Companies

Tamar Sagiv, Allègre L. Hadida, Israel Drori

 

La diversification de l’offre des bibliothèques municipales par le spectacle vivant

dans les métropoles du Grand Paris et d’Aix-Marseille-Provence

Daniel Urrutiaguer

  

Knowledge-Centric Arts Organizations: Connecting Practice to Performance

Neville K. Vakharia, Divya Janardhan

 

Exploring Entrepreneurial Actions of Creative Entrepreneurs:
How do Creative Entrepreneurs Create and Grow Their Companies?

Walter Van Andel, Annick Schramme

 

Representation tools of performance and the collective building of an industrial strategy in the cultural industries: analysing the debates of the French movie industry

Alexandre Viard, Thomas Paris

 

Research and Practice on How to Cultivate the Creative and Innovative Talents

in Arts Management

Beili Zhang

 

Architectural aesthetics and innovative corporate communication strategies:
the eloquence of the skyscraper

Angela Bargenda

 

 

TRACK – STRATEGIC MARKETING

 

Factors Contributing to the Success (or Failure) of Collaborative Projects Involving Artists and Heritage Venues

Roger Bennett, Steve Shaw, Rita Kottasz

 

Pour un démarketing ciblé aux fêtes de Bayonne ou comment limiter

le succès d’un événement culturel

Michelle Bergadaà  , Thierry Lorey

 

Understanding the profiles of omnivorous music consumers: cultural voracity vs. taste eclecticism

Giulia Cancellieri, Alex Turrini

 

Développer la créativité des équipes :
rôle de l’efficacité créative personnelle et collective et de la proximité sociale

Aurélie Catel, Maud Damperat, Florence Jeannot, Eline Jongmans, Alain Jolibert

 

Le nom d'auteur est-il une marque ?

Véronique Collange, Mathilde Pulh

 

Designing monetization strategies in Free-to-Play video games

Myriam Davidovici-Nora

 

The new organization of the Brazilian music industry and record company strategies

João Luiz De Figueiredo, Rodrigo Carvalho

 

Cultural patronage and sponsorship in France: The new pragmatism of cultural organisations.

Anne Gombault, Catherine Morel ,Florine Livat

 

The impact of monetisation system on the gaming experience:

The case of free-to-play video games.

Guergana Guintcheva, Charline Balfourier , Clément Tardy

 

Outlook of the Japanese Anime Industry: Opportunities and limitations

Keiko Kawamata

 

Treasured Festival Attendance:

The Role of Word-of-Mouth in Managing Value Co-Creation in Festivals

Mervi Luonila, Kati Suomi

 

Internal Competition and Cooperation in Art Museums: Building Blocks Towards Two New Scales

Sandra Mottner, Theresa A. Kirchner

  

Embracing the Language of Economics / A Call for Creative Disruptors

Wendy Norris, Salvador Acevedo

 

How To Combine Wine Heritage And Internationalization?

An Approach Based On Entrepreneurial Marketing

Sandra Painbéni, Lisa Thomas

 

Donations, Crowd Funding, and Collective Psychological Ownership:

Is It Better for Me to Give or for Us to Receive?

Annie Peng Cui, Jennifer Wiggins Johnson, Pamela E. Grimm

 

Festival fringe production and the long tail

Jen Snowball

 

CRM et institutions culturelles. Optimiser la gestion de la relation avec les publics

Jean-Michel Tobelem

 

Respond: A critical analysis of a digital audience engagement platform

Ben Walmsley

 

Consumer Perceptions of Arts Organizations' Strategies for Responding to Critique

Jennifer Wiggins Johnson, Stephen B. Preece, Chanho Song, Dharti Trivedi

 

Reimagining industrial Newcastle Australia:

Can art be used to challenge a city to move forward without leaving the past behind?

Claire Williams, Liz Burcham, Mark Balnaves

 

 

 

TRACK – DOCTORAL SYMPOSIUM

 

Economic impact evaluation of European Capital of Culture: Upgrading the toolbox
Gustavo Baños

 

Customer satisfaction in performing arts: A conceptual model for research
Claudia Maria Cacovean

 

How could structure support cultural organizations to become ambidextrous?
An in-depth comparative case study
Nele Cannaerts

 

Ecosystème entrepreneurial dans le domaine des arts et de la culture
Quelles approches pour stimuler l'entrepreneuriat culturel

Géraldine Dallaire

 

The Comparative Analysis of Virtual Museum Policies in Europe and China
How the Virtual Museum Policies of The Louvre
Qiong Dang

 

Leadership Development in the Australian Creative Industries
Kim Goodwin

 

Changed legal status of public cultural organizations: context and consequences to management
Kaari Kiitsak-Prikk

 

Networks in festival production – structures, interests and management

Mervi Luonila

 

Democratization or vulgarization of cultural capital? 
The acceptance of Facebook’s use by theater audiences
Carmela Milano

 

Expériences, expositions et publics exceptionnels: Quel est l'apport du  marketing?
Lianne Pelletier

 

A critical auto|ethnographic study of socio-cultural influences on preservation education of world heritage sites in Brazil
Karla Penna

 

Public banking for the cultural sector: new financial instruments and the emergence of the financial intermediaries.
Rosa Perez Monclus

 

Mens Agitat Molem.
Strategic Leadership and Institutional Enforcement in a New Organizational Form
Irene Popoli

 

Measuring the Performance of Public Art Museums
Marek Prokupek

 

Impacts of cultural experience into customers repurchase intention in performing arts service markets
Seonjeong Ryu

 

On halfway to find tools for measuring organisational performance in cultural and creative industry organizations
Marge Sassi

 

The implication of audience motivation research for Chinese theatre in the West
Fan Wu

 

Identities and meaning in the profession of cultural management.
A study case in the National Autonomous University of México

Gabriela Priscila Zermeño Barron